Showing posts with label micro 4/3. Show all posts
Showing posts with label micro 4/3. Show all posts

Wednesday, October 30, 2013

Panasonic GM1 - Small Mirrorless Interchangeable Lens Camera

Panasonic announced a small mirrorless interchangeable lens camera GM1 recently. It is a compact digital camera featuring a 16 megapixel Micro Four Thirds Digital Live MOS sensor and Venus Engine image processor to produce high resolution image under  low-light. GM1 uses a contrast-detection AF for quick and accurate focus. The camera can be bought with the  Lumix G Vario 12-32mm f/3.5-5.6 ASPH MEGA O.I.S. lens.

Panasonic GM1 features:
  • 16MP Digital Live MOS Sensor
  • Venus Engine Image Processor
  • Micro Four Thirds System
  • 3.0" 1,036k-Dot Touchscreen LCD Monitor
  • Full HD 1080i AVCHD Video at 60 fps
  • Built-In Wireless Connectivity
  • Light Speed AF and Focus Peaking
  • ISO 25600 and 5 fps Continuous Shooting
  • Highly Compact Magnesium Alloy Body
  • Lumix G Vario 12-32mm f/3.5-5.6 Lens

Panasonic GM1 Mirrorless Interchangeable Lens Camera

Hands On:




Panasonic Official Announcement:

Panasonic is proud to announce a new premium compact line GM series to its LUMIX Digital Single Lens Mirrorless (DSLM) cameras with the DMC-GM1 with large Digital Live MOS Sensor based on the Micro Four Thirds system standard. The new GM series boasts not just its outstandingly compact profile but its high functional performance for ultimate picture quality.
The DMC-GM1 realizes high-quality image recording with real-to-life details through excellent resolution, image rendering and color reproduction. Taking full advantage of 16.00-megapixel Digital Live MOS Sensor and Venus Engine, images are rendered with highly sharp resolution even shot in low-lit situations and at max. 25600 high ISO sensitivity can be selected.
The Contrast AF System of DMC-GM1 excels in both speed and accuracy by exchanging digital signal between the camera and the lens at max. 240 fps. A variety of extensive AF functions including Low Light AF, Pinpoint AF and One-shot AF enhances usability to comply with wide-ranging shooting situations. The touch-control system integrated in the 3.0-inch large approx.1036K-dot high resolution monitor immediately lets users to set focus to the subject by just touching it on the screen and you can even release the shutter. It is free and easy to enlarge the target point with fingertips to set precise focus.
The DMC-GM1 also features full HD 1920 x 1080, 60i (60 Hz) / 50i (50 Hz) high quality video recording in AVCHD and MP4* with stereo sound. The practical full-time AF and tracking AF is available in video recording, too. The cinema-like 24p video with the bit rate of max. 24 Mbps or P/A/S/M mode provide richly expressive afterimage with overwhelming image quality.
The DMC-GM1 incorporates popular Creative Control mode with a total of 22 fascinating filter effects in addition to Time Lapse Shot, Stop Motion Animation or Clear Retouch. The Stop Motion Animation allows producing unique stop motion video and the Clear Retouch function enables to erase unwanted part of a picture after shooting – both operations completes with ease in camera.
With the Wi-Fi® connectivity, users can connect the camera to their smartphone / tablet to expand shooting flexibility. It is also possible to use a smartphone / tablet as a multi-capable remote shutter with a monitor. With the Instant Transfer function, photos are automatically sent to the smartphone / tablet right after shooting. On the other hand, both photo and video can be archived to the registered digital equipment such as PC automatically via the wireless access point (router) at home.
There are a lot of ingenious inventions that let DMC-GM1 accomplish this marvelous downsizing. The unit mechanism of shutter is redesigned to newly integrate a motor instead of spring, which allows removal of charging structure inside the unit and resulting in approx. 80%** reduction in its unit’s size. The conventional digital single lens mirrorless camera has a structure that settles a frame to support the sensor unit over the main unit frame. However, by adopting the magnesium alloy for the main unit, the DMC-GM1 allows direct attachment of the sensor unit to reduce parts. Despite its ultra compact profile, the DMC-GM1 is equipped with built-in flash (GN5.6 ISO200・m / GN4.0 ISO100・m) which is enough useful for daily snapshots. This is made possible by an adoption of newly developed sliding pantograph-type flash that vertically pops up and down. By optimizing the layout of electronic components with high density mounting, the circuit board is able to have a cutout saving approx. 30%** in space for the sensor unit to fit into. This also helps achieve total volume reduction of internal content.
The DMC-GM1 comes equipped with decently designed parts including three-strand aluminum dial or high quality artificial leather grip. Especially the combination with the newly released digital interchangeable lens LUMIX G VARIO 12-32mm / F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS12032) makes perfect match which even satisfies trend-sensitive users to carry around stylishly. On the other hand, the DMC-GM1 allows attachment of Hand Grip DMW-HGR1 (black / silver, sold separately***) to enhance strength of gripping.
Packing high photographic performance in sleek, ultra-compact body, the DMC-GM1 is offered in stylish black, traditional silver, noble white and classical orange. There are moments in life deserves to be captured – the DMC-GM1 turns every user across genders, across generations into a life artist.
* 30 fps (NTSC) / 25 fps (PAL) in MP4 recording.
** Panasonic comparison with DMC-GF5.
*** Included in the DMC-GM1W kit.

1. Ultimate Picture Quality Goes Beyond Expectation

The DMC-GM1 incorporates 16.00-megapixel, large Digital Live MOS Sensor complying with Micro Four Thirds system standard that achieves both higher resolution and higher sensitivity image recording with less noise. The photodiode in each pixel is enlarged thanks to the adoption of cutting-edge Semiconductor Fine Technology to improve color saturation by approx. 10% and the redesigned on-chip lens enhances light condensation to achieve approx. 10%* higher sensitivity. Not only these, noise generation is minimized in both pixel circuit and digital signal readout circuit to provide better S/N ratio by approx. 25%*.
The image processor Venus Engine features its advanced noise reduction systems. By extending the control level of noise, controllable area of noise is expanded by approx. 64x* in size. This makes it possible to remove large block of noise which was formally hard to detect and helps produce clear, smooth image especially for the nighttime scenery. In addition, the Multi-process NR (Noise Reduction) works in two separate steps allowing even finer control over noise level. The texture of noise itself, regardless of the noise size, is improved with this deliberate control, which is resulting in the reproduction of smooth human skin even in high sensitivity recording.
Furthermore, the optimum design of newly adopted Detail Reproduction Filter Process enhances the limit resolution by max. 3%* and the contrast of middle to high range by max. 5%*. Plus, the advanced Intelligent D-range Control offers wider dynamic range while maintaining the smooth gradation thanks to the high-precision signal processing. Suppressing both blocked shadows and blown highlights, every part of an image – from dark to bright – is faithfully reproduced. The combination of the Digital Live MOS Sensor and the Venus Engine achieves approx. 10%* finer detail reproduction, making it possible to capture clear image even in low lit situations and allows max. ISO25600.
The DMC-GM1 complies with image recording in RAW. The bundled software SILKYPIX Developer Studio 4.1 SE allows dramatically higher quality image development from RAW to JPEG. Even the images shot at high ISO setting can be produced sharply with minimum noise. This software also enables high quality JPEG processing, that lets users to adjust images in 16 bit data and re-develop it into JPEG with minimum deterioration of image quality.
* Panasonic comparison with DMC-GX1.
• SILKYPIX®; It is a registered trademark of Ichikawa Soft Laboratory Co., Ltd.

2. The Top Level of AF Performance among Conventional DSLRs and Mirrorless Cameras

All cameras of LUMIX G, and DMC-GM1 adopt Contrast AF for its focus system. Compared with the Phase difference system AF, the Contrast AF boasts higher accuracy especially in shooting with bright lens with small F value. The DMC-GM1 features high-speed Light Speed AF, making it possible to capture even the fast-moving subject clearly. Not only the accuracy but also the speed of AF in DMC-GM1 surpasses the high-end DSLRs with Phase difference. The camera and the lens exchange the digital signal at max. 240 fps to minimize the time to focus. The DMC-GM1 realizes the high speed burst shooting at 5 fps in 16.00-megapixel and max. 40 fps using an electronic shutter. Also, AF Tracking enables consecutive shooting to capture moving subject in sharp focus at 4.0 fps*.
The Low Light AF, which is popular in LUMIX G DSLM cameras, is incorporated making it possible to set focus on the subject more precisely in such as moonlight even without AF assist lamp. It further enhances the performance to work in -4EV lower lit situations, which is as dark as starry sky with no other light source.
With the Pinpoint AF, users can magnify the target area to set focus by 5x by just touching it on the monitor. Magnification using dial is also available and this can be selectable from 3x to 10x enlargement by 0.1x step. Picture-in-picture display is available and the magnification ratio of in-frame picture is selectable from 3x to 6x seamlessly, which enables users to set precise focus on the target point while seeing the whole image composition. The One-shot AF enables using AF even in MF mode by just pressing the Fn (Function) button** to set rough focus on the subject and you can go back to MF just to adjust precise focus.
* In 1-area-focusing AF mode.
** AF lock function needs to be assigned in advance.

3. Full-HD 60i (60Hz) / 50i (50Hz) High Quality Video Recording Performance

All LUMIX G cameras, especially the DMC-GH3, are renowned for their capability of high quality video recording. The DMC-GM1 records smooth, high-resolution full-HD 1,920 x 1,080 60i (60 Hz) / 50i (50 Hz) videos in AVCHD or MP4 (MPEG-4 / H.264) format*. The DMC-GM1 also supports 1080/24p native mode with 24 Mbps in AVCHD format bringing impressive afterimage to the footage. In addition, the P/A/S/M mode also lets users enjoy expressive video recording. Thanks to optimum pixel-mix technology which is made possible by the improvement of sensor sensitivity, sharpness and clarity are improved in motion images, too.
In addition to the practical full-time AF, the Touch AF in video recording also lets users enjoy professional-like rack focusing. The AF Tracking locks on the subject with focus even it moves.
High quality sound can be recorded with Dolby® Digital. A Wind Cut function is also available to block out most of the noise from background wind. The Extra Tele Conversion function virtually extends the zoom range Max. 4.8x without deterioration of image quality in smaller resolution.
The Time Lapse Shot automatically starts recording photos at time lapse sequence once the start time, interval and the number of pictures to shoot are set. The Stop Motion Animation function enables producing a stop motion (stop frame) video in camera with the pictures that are sequentially shot while moving the object by degrees. This effect makes the object appears as if it is moving by itself.
* 30 fps (NTSC) / 25 fps (PAL) in MP4 recording.
- Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds in Europe and some Asian areas.
- Maximum time to record motion pictures continuously with [MP4] is 29 minutes 59 seconds or up to 4 GB.
- You can check the recordable time on the monitor. (For [FHD] in [MP4] format, the file size is large and so the recordable time will drop below 29 minutes 59 seconds.)

4. Other Features That Completes DMC-GM1

Easy Wireless Connectivity via Wi-Fi® with Smartphones

The DMC-GM1 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) to offer more flexible shooting experience and instant image sharing with easy operation. All these flexible shooting / browsing / sharing style are made possible with the DMC-GM1 and the Panasonic's dedicated application software Panasonic Image App for iOS / Android smartphones / tablets.

Advanced iA+ (Intelligent Auto Plus Mode) and Scene Guide for Beginners

For beginners of Digital Single Lens Mirrorless cameras, iA (Intelligent Auto) mode supports taking beautiful pictures with a variety of shooting-assist functions including new Intelligent Handheld Nightshot and iHDR (Intelligent High Dynamic Range) in addition to AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Recognition and Intelligent ISO Control. The Intelligent Handheld Nightshot generates a glamorous night scenery with optimum illumination by multi-layering the images shot consecutively even without using a tripod. With the iHDR, max. 6 images consecutively shot at different exposure levels can be overlaid to produce a single composite picture without whiteout (over-exposure) or blackout (under-exposure) in difficult lighting situations.
The iA Plus mode lets users adjust defocusing area in the background, exposure compensation and white balance for more flexible control.
The Scene Guide* offers 23 sample pictures shot by professional photographers. Users can choose the one closer to the situation they are going to shoot and optimum parameters for shooting the scene will be automatically set. Furthermore, shooting procedure, technical advice and recommended interchangeable lens for the scene can be shown for users to learn photography.
* Video recording using Scene Guide is not possible in some scenes.

Focus Peaking

For more practical control over focusing, the DMC-GM1 incorporates Focus Peaking function that shows the peak of focus in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. It can be set to HIGH / LOW / OFF and the color can also be changed to blue, white or orange according to the color of the shooting scene during live view. Users can take advantage of this function when controlling the camera with smartphone / tablet via Wi-Fi® in both photo / video recording.

Silent Mode

This mode switches shutter from mechanical to electronic and turns all sound (AF, operation) off while suppress emission of AF assist lamp and flash with just a single setting for special shooting occasions.

Creative Control / Photo Style for More Expanded Expression

The popular Creative Control mode features a total of 22 filter options – Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* mode. Effect parameter of each mode is also adjustable.
The Photo Style, which enables changing texture of photo, is also upgraded for DMC-GM1 with an inclusion of Monochrome Filter (Ye/Or/R/G) for more expressive monochrome photography.
* For photo only.
** Sound will not be recorded with [MINIATURE EFFECT] in Creative Control Mode and approximately 1/10 of the time period is recorded. (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long.)

3.0-inch, Approx.1036K-dot High Quality Touch-Control Monitor

The 3.0-inch large, approx. 1036K-dot high resolution static-type touch monitor with approx. 100% of field of view. The front panel is directly attached to the new In Cell Touch LCD without containing air layer in between. The result is that the reflection of external light is dramatically suppressed. Together with the increased resolution by approx. 13%* and improved color reproduction by approx. 20%*, the monitor for DMC-GM1 secures higher visibility even in sunny outdoor than ever. Plus, attenuation of transmitting backlight is minimized to achieve wide angle of view and by 25%* of power saving.
* Panasonic comparison with DMC-GF5

UHS-I SDXC/SDHC Memory Card Compatibility

The compatibility with the UHS-I (Ultra High Speed I) SDXC/SDHC Memory Card allows faster data writing even in RAW recording mode.
• The "AVCHD" is a high definition (HD) digital video recording / playback format jointly established by Panasonic Corporation and Sony Corporation.
• Dolby and the double-D symbol are trademarks of Dolby Laboratories.
• All other company and product names are trademarks of their respective corporations.
• This unit is compatible with both SD/SDHC/SDXC Memory Cards. You can only use SDHC/SDXC Memory Cards on devices that are compatible with them. You cannot use SDHC/SDXC Memory Cards on devices that are only compatible with SD Memory Cards. (When using an SDHC/SDXC Memory Card on another device, be sure to read the operating instructions for that device.)
• SDHC Memory Cards and SDXC Memory Cards can be used only in equipment that is compatible with their respective formats.
• If the computer being used does not support SDXC Memory Cards, a message prompting you to format may appear. (Doing so will cause recorded images to be erased so do not choose to format.) If the card is not recognized, please refer to the below support site.
http://panasonic.net/avc/sdcard/information/SDXC.html[Open New Window]
• Some accessories are not available in some countries.
• The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
• Design and specifications are subject to change without notice.

Thursday, July 25, 2013

Panasonic Mirrorless Interchangeable Lens Camera GX7 Pictures Leaked

GX7 pictures leaked out as shown on 43rumors.com



Specification listed by 43rumors.com

- It has a Magnesium body and comes in full black or black-silver.
- It has an on sensor stabilization (first ever for Pana).
- Same video quality as the GH3
- Shutter speed up to 1/8000
- 5fps (4fps with continuous A)
- it can focus also in very dark conditions
- Tiltable 2,76 Million Dot EVF
- Tiltable 3 inch LCD (1,04 Million dots)
- Integrated WiFi and NFC
- Focus peaking
- Stereo Mic
- Shipment in September
- Body only price 1.000 Euro
- There will be two kit version. One with 14-42 and one with 20mm lens.
So has Panaosnic FINALLY listened to the demands? Is Panasonic the one who will deliver THE definitive Micro 4/3 body? It is not going  to have that incredible Olympus 5-Axis IS but could have on sensor IS. Looks good and I guess we will find out soon enough on the reality of it as well as the pricing.

Tuesday, April 30, 2013

Blackmagic Pocket Cinema Camera with Micro Four Thirds Lens Mount Takes Film Like Video

The Blackmagic Pocket Cinema Camera is a true high dynamic range film look camera in an extremely portable size. You can shoot cinema quality in situations never before possible! Imagine shooting a documentary, episodic television production, television commercial or independent film in the true quality of digital film.  With its extremely compact size, you can covertly shoot important and historic events such as wars, protests and other conflict in cinema quality and get a more realistic record of the event. Blackmagic Pocket Cinema Camera is a true revolution in how you can shoot digital 
cinema.

Regular video cameras shoot limited dynamic range, which is why their pictures look like video. But the Blackmagic Pocket Cinema Camera delivers film look because it captures a super wide dynamic range of 13 stops, so your images look truly cinematic. This means you retain all sensor data for DaVinci Resolve color grading.  This premium quality design features a solid magnesium alloy chassis, an MFT mount for interchangeable optics, Super 16 size sensor, 13 stops of dynamic range and high quality ProRes 422 (HQ) and lossless CinemaDNG RAW file formats! Every aspect of the image path has been totally optimized for quality.

Blackmagic Pocket Cinema Camera lets you use the most incredible range of lenses. With the Super 16 size sensor you can use a wide range of adapters for film quality Super 16 lenses, or use commonly available low cost Micro Four Thirds lenses.

The extremely high resolution 3.5” LCD allows you to monitor while shooting and review recorded files on the SD card.

Blackmagic Pocket Cinema Camera


(Source: blackmagicdesign.com)

Preview







Friday, April 19, 2013

Using Old Lens on Olympus or Panasonic Micro 4/3 Cameras

An adapter can be used to mount the old Olympus film camera lens (i.e. OM Zuiko lens) or other brand to a micro 4/3 digital camera body. This kind of adapters are available in eBay for around US$10 or up. Since the micro 4/3 camera has a factor of 2, the legacy lens mounted on it double the focal length of the legacy lens. Adapting larger format legacy lens to smaller format sensors (i.e 35mm to micro 4/3) provides excellent edge-to-edge sharpness. The smaller image field helps minimize the effects of lens distortion and aberration by using the 'sweet spot' or center of the larger lens image circle.

OM Lens to Micro 4/3 Mirrorless Interchangeable Lens Camaera Adapter

Micro 4/3 Camera with Legacy Lens




Sample Picture Link of using OM 50mm F1.8 Lens

Click here.

Saturday, January 19, 2013

Kodak Micro Four Third Camera - S1

Micro four third camera S1 will bear a Kodak brand name and may be available in Q3, 2013.  Click here for announcement.

Monday, July 30, 2012

Which Olympus Mirco 4/3 Popular Mirrorless Interchangeable Lens Camera should you select?

Introduction

Olympus and Panasonic are the first two manufacturers announced the Mirrorless interchangeable lens camera (MILC) standard in 2008 and then follow by Sony.  Olympus and Panasonic called its standard  micro four third system (MFT). MFT shares the original image sensor size and specification with the Four Thirds system, designed for DSLRs.  Sony introduced its own MILC in May 2010.  The objectives of this blog is to introduce and identify the related information from the web of the recent  MILC models made by Olympus, Panasonic and Sony.  Here are the information I collect for your decision:

Olympus (Micro 4/3)


The current Olympus micro 4/3 camera includes:
  1. OM-D E-M5
  2. E-P3
  3. E-PL3
  4. E-MP1
OM-D E-M5 (My blog has already a post about  E-PM1, please click here for details) is the newest model which was announced at start of 2012. The OM–D's mirrorless design has a compact and lightweight body with dust-proof and splash-proof technology. Photographyblog reviewed the OM-D digital camera and gives a good rating of "Essential" (Click here to see the review)
     

Olympus OM-D E-M5 Digital Camera
   

E-P3  (My blog has already a post about E-PM1, please click here for details) mirrorless interchangeable lens camera  is the most expensive PEN micro 4/3 camera, which has OLED touch screen for setting. The new FAST (Frequency Acceleration Sensor Technology) AF System is able to focus fast with 35 separate focus points. The AF Tracking function can locks your subject into focus and continuously adjusts focus and brightness even if the subject disappears from view momentarily. The new 12.3MP LIVE MOS SENSOR sensors improve the sensitivity and read-out speed ensuring ISO 12,800 shooting and Full HD movie recording possible. Dust Reduction System assures spot-free images, even after changing lenses. The built in stabilization device assures the reduction of horizontal and vertical shaking.  Built in flash is in place.  Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia and Dramatic Tone are the art filters for creativity of photography.
Olympus E-P3 Digital Camera


E-PL3 (My blog has already a post of  E-PM1, please click here for details)  mirrorless interchangeable lens camera is like E-P3 but it comes with a tilt LCD screen and has no touch screen.  It is much cheaper than E-P3.
Olympus E-PL3 Digital Camera
  E-PL3 and E-P3 Comparison




Photographyblog rated E-P3 as "Recommended" (Click here to read the review)


E-PM1 mirrorless interchangeable lens camera (My blog has already a post about E-PM1, please click here for detail) is the cheapest micro 4/3 camera offered, which is worth to consider for its price and multiple functions.
Olympus E-PM1

Photographyblog rated this camera as " Highly Recommended" (Click here to see the review).  See the hands on review below:




It is nice to own small sensor/large aperture compact camera like Panasonic LX5 or LX7 or Sony RX100, but for myself I would own the E-PM1. E-PM1 has larger sensor than the compact camera and can change  lens. Beside the Panasonic LX5/LX7 and Sony RX100 costs more than E-PM1 with a small sensor.  Getting a E-PM1 with the kit lens plus a Panasonic 20mm F1.7 pancake lens may be the same price of getting the Sony RX100 and Panasonic LX7/LX5 when E-PM1 is on sale.  By the way, E-PM1 is on sale most of the time.

 

In short:  

Among the four Olympus micro 4/3 camera, I would buy the E-PM1 if on tied budget.  I would definitely go for the OM-D E-M5 if money is not a challenge without consideration of E-PL3 or E-P3. The price difference of buying OM-D comparing to E-P3 and E-PL3 is about a few hundred Canadian dollars.  It is worthy to pay more to buy the OM-D E-M5 for its extra capabilities especially the electronic view finder.

Related Articles

Which PEN for your pocket? EP3 vs. EPL3 vs. EPM1




Olympus E-P3 Micro 4/3 Camera

E-P3 mirrorless interchangeable lens camera  is the most expensive PEN micro 4/3 camera, which has OLED touch screen for setting. The new FAST (Frequency Acceleration Sensor Technology) AF System is able to focus fast with 35 separate focus points. The AF Tracking function can locks your subject into focus and continuously adjusts focus and brightness even if the subject disappears from view momentarily. The new 12.3MP LIVE MOS SENSOR sensors improve the sensitivity and read-out speed ensuring ISO 12,800 shooting and Full HD movie recording possible. Dust Reduction System assures spot-free images, even after changing lenses. The built in stabilization device assures the reduction of horizontal and vertical shaking.  Built in flash is in place.  Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia and Dramatic Tone are the art filters for creativity of photography.

Features
    
Product Type Product Type Interchangeable Lens Type Live View Digital Camera
Memory SD Memory Card(SDHC, SDXC, UHS-I compatible), Eye-Fi, Class 6 is recommended for Movie shooting
Sensor size 17.3 mm (H) x 13.0 mm (V)
Lens Mount Micro Four Thirds Mount
Effective Pixels number Effective Pixel Number 12.3 million pixels
Image Pickup Unit Product Type High speed Live MOS Sensor
Total no. of pixels Approx. 13.1 million pixels
Aspect Ratio 1.33 (4:3)
Filter Array Primary color filter (RGB)
Dust Reduction Supersonic Wave Filter (dust reduction system for image sensor)
Recording(Still) Recording Format DCF, DPOF compatible/Exif, PRINT Image Matching III
File Format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO (3D still)
Recording image size [RAW] 4032 x 3024 pixels

[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
File Size RAW: 4032(H)x3024V) (approx. 1/1.5 lossless compressed) Approx. 13.8MB

Set1(LF): 4032(H)x3024(V) (1/4 compressed) Approx. 5.9MB

Set2(LN): 4032(H)x3024(V) (1/8 compressed) Approx. 2.7MB

Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB

Set4(SN): 1024(H)x768(V) (1/8 compressed) Approx. 0.3MB
Recording(Movie) Recording Format AVCHD
AVI Motion JPEG
Movie Mode AVCHD Format:
- Full HD Fine : 1920(H)x1080(V), 60i Recording, 20Mbps, Aspect 16:9
- Full HD Normal : 1920(H)x1080(V), 60i Recording, 17Mbps, Aspect 16:9
- HD Fine : 1280(H)x720(V), 60p Recording), 17Mbps, Aspect 16:9
- HD Normal : 1280(H)x720(V), 60p Recording, 13Mbps, Aspect 16:9
Frame rate of image sensor output is 30fps
Motion-JPEG Format:
- HD: 1280(H)x720(V), 30fps (Some Art Filters are exceptional), Aspect 16:9
- SD: 640(H)x480(V), 30fps (Some Art Filters are exceptional), Aspect 4:3(VGA)
Compression Ratio Motion-JPEG Format : 1/12(HD), 1/8(SD)
File Size AVCHD Format : Max 4GB
Motion-JPEG Format : Max 2GB
Maximum Recording Time AVCHD Format: Max 29min (Full HD Normal/HD Fine/HD Normal : 29min, Full HD Fine : 22min)
Motion-JPEG Format: HD: 7min, SD: 14min (There are exceptions with select Art Filters)
Recording(Sound) Recording format AVCHD Format: Dolby Digital
Motion-JPEG Format / Picture with Sound : Wave Format Base (Stereo PCM/16bit, 48kHz)
Maximum Recording Time Picture with Sound: 30sec
Movie: depend on Movie Recording Time
Mic/Speaker Stereo/Mono
Tele-converter effect
x2
Live View Type Image Sensor (High Speed Live MOS) type
Field of view 100%
Display Mode Normal Mode

Grid Line Mode (4 types)

Histogram Mode

Magnified View Mode

Comparable View Mode

Level Gauge

OFF Mode
Magnification Ratio x5, x7, x10 (Default), x14
Monitor information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, Myset, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area
Flash Mode, Flash Status, Flash intensity Control, Super FP
Touch panel condition, Focusing length, Tone control, Eye-Fi condition
Face Detection Max 8 frames of face detection can be displayed
AF High speed imager AF
Image stabilizer System Built in (Imager shift image stabilizer)
Mode 3 modes (IS1:2 dimensional activation, IS2:1 dimensional activation in landscape frame to vertical direction moving, IS3:1dimensional activation in portrait frame to vertical direction moving ), OFF
Manual Function input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Shutter speed range 2 - 1/4000 sec. (Not available when Bulb is selected)
IS for Movie Shifting electronic image (so called Digital IS, IS1 mode only)
Monitor Product type OLED, AF(Anti-Fingerprint) coating, Touch Panel
Size 3.0 inches 3:2
Total no. of pixels Approx. 614,000 dots
Playback field of view 100%
Brightness control +2 levels and -2 levels
Color temperature +3 levels and -3 levels
Monitor color VIVID (Default) / NATURAL
Focusing AF system Imager Contrast Detection AF system
When non High-speed imager AF compatible lens is used, it works as AF assist
Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR)
C-AF and AF tracking are not available with non-Micro Four Thirds lenses.
This is can be set in both recording mode, still and movie, separately.
Advance AF Available
Focusing point 35-area multiple AF with the contrast detection system (Auto, selectable in option)
Focusing point selection Auto from all 35 area, Single area from 35 area, Group Target area (9 area) from 35 area
Auto from almost all area when Face detection is ON
Free selection when Magnified View Mode is selected
AF illuminator Available
AF lock Locked at first position of Shutter button in Single AF mode
Focus tracking Available
Magnified Spot AF Available
Face priority AF/Eye Detect AF Available
Eye Detect AF : OFF / Near side eye priority mode / Right side eye priority mode / Left side eye priority mode
Manual Focus Assist When rotation of focus ring is detected under S-AF+MF or MF mode, LV is magnified automatically
Exposure Control (Still) Metering system TTL Image Sensor metering system

(1) Digital ESP metering (324-area multi pattern metering) (2) Center weighted average metering

(3) Spot metering (approx. 1% for the viewfinder screen. Highlight / shadow bases are available)
Metering range EV 0 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering)

(At normal temperature, 17mm f2.8, ISO 100)
Exposure mode (1) iAuto (2) P: Program AE (Program shift can be performed) (3) A: Aperture priority AE

(4) S: Shutter priority AE (5) M: Manual (6) Scene select AE (7) Art Filter
Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Macro, Sport, Night Scene, Night + Portrait, Children, High Key,

Low Key, DIS mode, Nature Macro, Candle, Sunset, Document, Panorama, Fireworks, Beach & Snow,

Fisheye Conv, Wide Conv, Macro Conv, 3D
ISO sensitivity AUTO: ISO 200 - 12800(customizable, Default 200-1600) / Manual ISO 200 - 12800, 1/3 or 1 EV steps,
Exposure compensation 3 EV in 1/3, 1/2, 1 EV steps selectable
AE lock Available (Using Fn1/Rec button is available)
Exposure bracketing 2, 3, 5frames in 0.3,0.5, 0.7, 1EV steps selectable, 7frames in 0.3, 0.5, 0.7EV steps selectable
Metering standard value adjustment 1/6 EV step, +/- 1EV range
Exposure Control (Movie) Exposure mode (1)P: Program AE (2) A: Aperture priority AE (3) S: Shutter speed priority AE (4)M:Manual (5) Art Filter

* S mode and M mode : Shutter speed is limited to no more than 1/30 sec.
White Balance Auto WB system High speed Live MOS sensor
Preset white balance 6 settings (3000K - 7500K)
Lamp (3000K), Fluorescent (4000K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K)
Flash + WB OFF / AWB priority / Flash WB priority
AWB Keep Warm Color ON/OFF
White balance compensation 7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
CWB (Kelvin setting) 1 setting can be registered at Kelvin temperature (2000K - 14000K)
One-touch white balance 2 custom settings can be registered
White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Color Mode Color space sRGB, Adobe RGB
Picture Mode Mode iEnhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter
Adjustment parameter Contrast, Sharpness and Saturation level available in 5 steps for iEnhance, Vivid, Natural, Portrait and Muted

Contrast and Sharpness level available in 5 steps for Monotone.

3 effect levels are available in iEnhance
Filter effect Yellow, Orange, Red or Green filter available for Monotone
Picture tone Sepia, Blue, Purple or Green tone available for Monotone
Gradation 4 levels (Auto, High key, Normal, Low key)
Art Filter bracketing Available
Noise Filter at High ISO setting OFF, LOW, STANDARD, HIGH
Noise Reduction at Slow shutter speed OFF, ON, AUTO

ON (effective when shutter speed is slower than 1sec)

AUTO (effective when shutter speed is slower than 4sec(at ISO 200 or higher) or 8sec(at lower than ISO200)
Shutter Product type Computerized focal-plane shutter
Shutter speed 60 - 1/4000 sec.

Bulb: up to 30 min. (selectable longest time in the menu. Default: 8 min)

1/3, 1/2, or 1EV steps selectable.
Self-timer Operation time: 12 sec., 2 sec. (cancel available)
Remote cable release Available (Optional RM-UC1)
Wireless Remote Control Not Available
Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer
Sequential shooting speed Approx. 3 frames/sec. in sequential shooting
Max. recordable pictures RAW mode: Max. 11 frames ( with Toshiba SDHC UHS-I card R95 W80 model Premiugate series"Class 10" 8GB)
on sequential shooting JPEG(LN) mode: Until limitation of the memory capacity ( with Toshiba SDHC UHS-I card R95 W80 model Premiugate series "Class 10" 8GB)
Flash Built-in flash Available
Guide No. 10(Fno/m) at ISO200,7(Fno/m) at ISO100 but ISO100 is not available
Mode TTL-Auto, Manual(Full, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64)
Color Temperature 5500 400 K
Wireless Flash Control Available(4ch, 3Groups+Built-in Flash)
Built-in flash is usable as a center flash in case of wireless flash control.
Compatible external flash E-system Flash(FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14, FL-300R)
External Flash control mode TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Flash mode of External Flash Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Off.
Synchronization speed 1/60-1/180

Super FP 1/125-1/4000 with External Flash
Flash intensity control Up to 3 EV in 0.3, 0.5, 1 EV steps
Art Filter Mode Pop Art, Soft Focus, Pale & Color, Light Tone, Grainy Film, Pin Hole, Diorama, Gentle Sepia, Cross Process, Dramatic Tone
Variation / Effect Available
Multi Exposure Number of picture 2 frames
Functions Auto gain, Live View, Exposing on Recorded picture
Multi Aspect Aspect Ratio 4:3(Default)/3:2/16:9/6:6/3:4
Process RAW: Aspect ratio is recorded as Exif data, JPEG: JPEG image is produced based on the aspect ratio
Level Gauge Detection Available (H & V)
Color Universal design
approved
Super control panel Information (shooting) Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity,

Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, Auto BKT setting,

NR setting, WB, WB compensation value, Record mode, Flash Status, Record mode, Image size,

Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode,

AF frame, Color space, Sharpness, Contrast, Saturation, Internal Temperature Warning

Gradation, IS activating mode, Face detection, My Mode, Multi Exposure, Aspect Ratio, Super FP
Live control Information (shooting) Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity,

Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, Auto BKT setting,

NR setting, WB, Record mode, Flash Status, Image size,

Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode,

AF frame, Internal Temperature Warning, IS activating mode, Face detection, My Mode, Multi Exposure, Aspect Ratio
Live Guide Setting Menu Color saturation, Color image, Brightness, Blur Background, Express Motion, Shooting Tips
Playback Playback mode Single-frame

Information Display

Index Display (4/9/25/100 frames, Calendar)

Close-up (2 - 14X)

Movie (w/sound, FF/REW/Pause)

Picture rotation (manual),

Slideshow (Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound)

When a camera is connected to HDTV with HDMI cable, 2 new slideshow effect can be selectable. (Still)
Information display Histogram (independent luminance / RGB available),

Highlight / Shadow point warning, AF frame, Shooting information
Menu Languages Japanese, English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Reset & custom setting My mode Full Reset / Standard Reset / 4 setting recordable
Image Editing Erasing function Single frame, All, Selected frames(from Index)
Protect function Single frame, Selected frames, All Frames, Release protect (Single/All)
RAW picture editing RAW development based on settings of the camera (including Art Filter)
JPEG editing Shadow adjustment, Red-eye fix, Cropping, Aspect. Monotone, Sepia, Saturation (color depth), Resize (producing another file, 1280x960, 640x480, 320x240), ePortrait
Image Overlay
Up to 3 RAW images
Print Print function Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output PC interface USB 2.0 High Speed for storage through Multi-connector(MTP mode is available)
TV interface HDMI (HD/Mono or Stereo Sound), VIDEO-OUT (SD/Mono Sound)
USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1, USB cable is available)
HDMI Mini HDMI type-C(1080i/720p/576p/480p)
Flash attachment Hot shoe
DC-in No
Accessory attachment Accessory port (AP2) works with VF-2, SEMA-1, Macro Arm Light MAL-1 and PENPAL Bluetooth Communication Device
Power Requirements Battery BLS-1 Li-ion battery (included)
Sleep mode Available (1, 3, 5 min., selectable)
No. of recordable pictures Approx. 330 shots (CIPA test standard)
(with 50% flash light) (with BLS-1and Toshiba Class 6 SDHC 4GB card under CIPA testing standard)
Power battery holder Not Available
Dimensions/Weight Dimensions 4.80in (W) x 2.72in (H) x 1.35in (D) (excluding protrusions)
Weight 11.32oz (body only), 13.01oz (including Battery and Memory card)
Operating Environment Temperature 0 - 40? (operation) / -20 - 60? (storage)
Humidity 30 - 90% (operation) / 10 - 90% (storage)
Exterior Material Metal
Grip Removable
Box contents
Body, Li-ion battery BLS-1, Li-ion battery charger BCS-1, USB/Video Multi cable, Shoulder strap, OLYMPUS Viewer 2/ib CD-ROM, Instruction Manual, Warranty card.

Olympus E-P3 mirrorless interchangeable lens camera commercial


Olympus E-P3 mirrorless interchangeable lens camera hands on


Rating:
Photographyblog rated E-P3 as "Highly Recommended" (Click here to read the review)

Olympus E-PL3 Micro 4/3 Digital Camera

E-PL3  mirrorless interchangeable lens camera is like E-P3 but it comes with a tilt LCD screen and has no touch screen.  It is much cheaper than E-P3. It include capabilities of fast autofocus; fast burst mode; AF-assist lamp; Full HD recording; smaller design and tilting LCD.

Features

Product Type Product type Interchangeable Lens Type Live View Digital Camera
Memory SD Memory Card(SDHC, SDXC, UHS-I compatible), Eye-Fi, Class 6 is recommended for Movie shooting
Sensor size 17.3 mm (H) x 13.0 mm (V)
Lens mount Micro Four Thirds Mount
Effective Pixels number Effective Pixels number 12.3 million pixels
Image Pickup Unit Product type High speed Live MOS Sensor
Total no. of pixels Approx. 13.1 million pixels
Aspect ratio 1.33 (4:3)
Filter array Primary color filter (RGB)
Dust reduction Supersonic Wave Filter (dust reduction system for image sensor)
Recording(Still) Recording format DCF, DPOF compatible/Exif, PRINT Image Matching III
File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO (3D still)
Recording image size [RAW] 4032 x 3024 pixels

[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
File Size RAW: 4032(H)x3024(V) (approx. 1/1.5 lossless compressed) Approx. 13.9MB

Set1(LF): 4032(H)x3024(V) (1/4 compressed) Approx. 5.9MB

Set2(LN): 4032(H)x3024(V) (1/8 compressed) Approx. 2.7MB

Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB

Set4(SN): 1024(H)x768(V) (1/8 compressed) Approx. 0.3MB
Recording(Movie) Recording format AVCHD
AVI Motion JPEG
Movie Mode AVCHD Format
- Full HD Fine : 1920(H)x1080(V), 60i Recording, 20Mbps, Aspect 16:9
 - Full HD Normal : 1920(H)x1080(V), 60i Recording, 17Mbps, Aspect 16:9
 - HD Fine : 1280(H)x720(V), 60p Recording), 17Mbps, Aspect 16:9
 - HD Normal : 1280(H)x720(V), 60p Recording, 13Mbps, Aspect 16:9
Frame rate of image sensor output is 30fps
Motion-JPEG Format
- HD: 1280(H)x720(V), 30fps (Some Art Filters are exceptional), Aspect 16:9
- SD: 640(H)x480(V), 30fps (Some Art Filters are exceptional), Aspect 4:3(VGA)
Compression Ratio Motion-JPEG Format : 1/12(HD), 1/8(SD)
File Size AVCHD Format : Max 4GB
Motion-JPEG Format : Max 2GB
Maximum Recording Time AVCHD Format : Max 29min  (Full HD Normal/HD Fine/HD Normal : 29min, Full HD Fine : 22min)
Motion-JPEG Format  : HD: 7min, SD: 14min (There are exceptions with select Art Filters)
Recording(Sound) Recording format AVCHD Format : Dolby Digital
Motion-JPEG Format / Picture with Sound : Wave Format Base (Stereo PCM/16bit, 48kHz)
Maximum Recording Time Picture with Sound: 30sec
Movie: depend on Movie Recording Time
Mic/Speaker Stereo/Mono
Tele-converter effect
x2
Live View Type Image Sensor(High Speed Live MOS) type
Field of view 100%
Display Mode Normal Mode

Grid Line Mode(4 types)

Histogram Mode

Magnified View Mode

Comparable View Mode

OFF Mode
Magnification Ratio x5, x7, x10 (Default), x14
Monitor information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, Myset, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area
Flash Mode, Flash Status, Flash intensity Control, Super FP
Touch panel condition, Focusing length, Tone control, Eye-Fi condition
Face Detection Max 8 frames of face detection can be displayed 
AF High speed imager AF
Image stabilizer System Built in (Imager shift image stabilizer)
Mode 3 modes (IS1:2 dimensional activation, IS2:1 dimensional activation in landscape frame to vertical direction moving, IS3:1dimensional activation in portrait frame to vertical direction moving ), OFF
Manual Function input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000 
Shutter speed range 2 - 1/4000 sec. (Not available when Bulb is selected)
IS for Movie Shifting electronic image (so called Digital IS, IS1 mode only)
Monitor Product type LCD, AR(Anti-Reflection) coating, Tilt function
Size 3.0 inches 16:9
Total no. of pixels Approx. 460,000 dots
Playback field of view 100%
Brightness control +7 levels and -7 levels
Color temperature +7 levels and -7 levels
Focusing AF system Imager Contrast Detection AF system
When non High-speed imager AF compatible lens is used, it works as AF assist.
Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR)
C-AF and AF tracking are not available with non-Micro Four Thirds lenses.
This is can be set in both recording mode, still and movie, separately.
Advance AF Available
Focusing point 35-area multiple AF with the contrast detection system (Auto, selectable in option)
Focusing point selection Auto from all 35 area, Single area from 35 area, Group Target area (9 area) from 35 area
Auto from almost all area when Face detection is ON
Free selection when Magnified View Mode is selected
AF illuminator Available
AF lock Locked at first position of Shutter button in Single AF mode 
Focus tracking Available
Magnified Spot AF Available
Face priority AF/Eye Detect AF Available
Eye Detect AF : OFF / Near side eye priority mode / Right side eye priority mode / Left side eye priority mode
Manual Focus Assist When rotation of focus ring is detected under S-AF+MF or MF mode, LV is magnified automatically
Exposure Control (Still) Metering system TTL Image Sensor metering system 

(1) Digital ESP metering (324-area multi pattern metering) (2) Center weighted average metering 

(3) Spot metering (approx. 1% for the viewfinder screen. Highlight / shadow bases are available)
Metering range EV 0 - 20 (Digital ESP metering, Center weighted average metering, Spot metering)

(At normal temperature, 17mm f2.8, ISO 100)
Exposure mode (1) iAuto (2) P: Program AE (Program shift can be performed) (3) A: Aperture priority AE

(4) S: Shutter priority AE (5) M: Manual (6) Scene select  AE (7) Art Filter

(8) Underwater wide / Underwater macro (Selectable from menu  as a function on Rec/Fn button)
Scene select AE Portrait, ePortrait, Landscape, Landscape + Portrait, Macro, Sport, Night Scene, Night + Portrait, Children, High Key,

Low Key, DIS mode, Nature Macro, Candle, Sunset, Document, Panorama, Fireworks, Beach & Snow,

Fisheye Conv, Wide Conv, Macro Conv, 3D
ISO sensitivity AUTO: ISO 200 - 12800 (customizable, Default 200-1600) / Manual ISO 200 - 12800, 1/3 or 1 EV steps, 
Exposure compensation  ±3 EV in 1/3, 1/2, 1 EV steps selectable
AE lock Available (Using Rec/Fn button is available)
Exposure bracketing 2, 3, 5frames in 0.3, 0.5, 0.7, 1EV steps selectable, 7frames in 0.3, 0.5, 0.7EV steps selectable
Metering standard value adjustment 1/6 EV step, +/- 1EV range 
Exposure Control (Movie) Exposure mode (1)P: Program AE (2) A: Aperture priority AE (3) S: Shutter speed priority AE (4)M:Manual (5) Art Filter

* S mode and M mode : Shutter speed is limited to less than 1/30 sec.
White Balance Auto WB system High speed Live MOS sensor 
Preset white balance 7 settings (3000K - 7500K)
Lamp (3000K), Fluorescent (4000K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K) , Underwater WB
White balance compensation ±7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
CWB (Kelvin setting) 1 setting can be registered at Kelvin temperature (2000K - 14000K)
One-touch white balance 2 custom settings can be registered
White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Color Mode Color space sRGB, Adobe RGB
Picture Mode Mode iEnhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter
Adjustment parameter Contrast, Sharpness and Saturation level available in 5 steps for iEnhance, Vivid, Natural, Portrait and Muted 

Contrast and Sharpness level available in 5 steps for Monotone.

3 effect levels are available in i-Enhance
Filter effect Yellow, Orange, Red or Green filter available for Monotone
Picture tone Sepia, Blue, Purple or Green tone available for Monotone
Gradation 4 levels (Auto, High key, Normal, Low key)
Art Filter bracketing Available
Noise Filter at High ISO setting OFF, LOW, STANDARD, HIGH
Noise Reduction at Slow shutter speed OFF, ON, AUTO

ON (effective when shutter speed is slower than 1sec)

AUTO (effective when shutter speed is slower than 4sec(at ISO 200 or higher) or 8sec (at lower than ISO200)
Shutter Product type Computerized focal-plane shutter
Shutter speed 60 - 1/4000 sec. 

Bulb: up to 30 min. (selectable longest time in the menu. Default: 8 min)

1/3, 1/2, or 1EV steps selectable.
Self-timer Operation time: 12 sec., 2 sec. (cancel available)
Remote cable release Available (Optional RM-UC1)
Wireless remote control Not Available
Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer
Sequential shooting speed 4.1 fps in sequential shooting (5.5 fps in case of "I.S. OFF".) 
Flash Built-in flash Not Available.  External flash is bundled.
Guide No. 10(Fno/m) at ISO200,  7(Fno/m) at ISO100 but ISO100 is not available
Mode TTL-Auto, Manual(Full, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64)
Color Temperature  5500±400°K
Wireless Flash Control Available(4ch, 4Groups)
Bundled flash is usable as a center flash in case of wireless flash control.
Compatible external flash E-System Flash (FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14, FL-300R)
External Flash control mode TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Flash mode of External Flash Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Off.
Synchronization speed 1/60-1/160

Super FP 1/125-1/4000 with External Flash
Flash intensity control Up to ±3 EV in 0.3, 0.5, 1 EV steps
Art Filter Mode Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama, Dramatic Tone
Variation / Effect Available
Multi Exposure Number of picture 2 frames
Functions Auto gain, Live View, Exposing on Recorded picture
Multi Aspect Aspect Ratio 4:3(Default)/3:2/16:9/6:6/3:4
Process RAW: Aspect ratio is recorded as Exif data, JPEG: JPEG image is produced based on the aspect ratio
Level Gauge Detection Not Available
Color Universal design
approved
Super control panel Information (shooting) Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity,

Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, Auto BKT setting, 

NR setting, WB, WB compensation value, Record mode, Flash Status, Record mode, Image size, 

Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode, 

AF frame, Color space, Sharpness, Contrast, Saturation, Internal Temperature Warning

Gradation, IS activating mode, Face detection, My Mode, Multi Exposure, Aspect Ratio, Super FP
Live control Information (shooting) Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity,

Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, Auto BKT setting, 

NR setting, WB, Record mode, Flash Status, Image size, 

Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode, 

AF frame, Internal Temperature Warning, IS activating mode, Face detection, My Mode, Multi Exposure, Aspect Ratio
Live Guide Setting Menu Color saturation, Color image, Brightness, Blur Background, Express Motion, Shooting Tips
Playback Playback mode Single-frame

Information Display

Index Display(4/9/25/100 frames, Calendar)

Close-up (2 - 14X)

Movie (w/sound, FF/REW/Pause)

Picture rotation (manual), 

Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound)

When a camera is connected to HDTV with HDMI cable, 2 new slideshow effect can be selectable. (Still)
Information display Histogram (independent luminance / RGB available),

Highlight / Shadow point warning, AF frame, Shooting information
Menu Languages Japanese, English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Reset & custom setting My mode 4 setting recordable
Image Editing Erasing function Single frame, All, Selected frames(from Index)
Protect function Single frame, Selected frames, All Frames, Release protect (Single/All)
RAW picture editing RAW development based on settings of the camera(including Art Filter)
JPEG editing Shadow adjustment, Red-eye fix, Cropping, Aspect. Monotone, Sepia, Saturation (color depth), Resize (producing another file, 1280x960, 640x480, 320x240), ePortrait
Image Overlay
Up to 3 RAW images
Print Print function Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output PC interface USB 2.0 High Speed for storage through Multi-connector(MTP mode is available) 
TV interface HDMI(HD/Mono or Stereo Sound), VIDEO-OUT(SD/Mono Sound)
USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1, USB cable is available)
HDMI Mini HDMI type-C(1080i/720p/576p/480p)
Flash attachment Hot shoe
DC-in No
Accessory attachment Accessory port (AP2) works with VF-2, SEMA-1, Macro Arm Light MAL-1 and Communication Unit Olympus PENPAL
Power Requirements Battery BLS-1 Li-ion battery (included)
Sleep mode Available (1, 3, 5 min., selectable)
No. of recordable pictures  Approx.300 shots (CIPA test standard)
(with 50% flash light) (with BLS-1 and Toshiba Class 6 SDHC 4GB card under CIPA testing standard)
Power battery holder Not Available
Dimensions/Weight Dimensions  4.31 in. (W) x 2.50 in. (H) x 1.46 in. (D) (excluding protrusions)
Weight 9.34oz (body only), 11.04g (including Battery and Memory card) - subject to change
Operating Environment Temperature 0 - 40? (operation) / -20 - 60? (storage)
Humidity 30 - 90% (operation) / 10 - 90% (storage)
Splash proof
No
Exterior Material Metal
Box contents
Body, Flash FL-LM1, Li-ion battery BLS-1, Li-ion battery charger BCS-1, USB/Video Multi cable, Shoulder strap, OLYMPUS Viewer 2/ib CD-ROM, Instruction manual, Warranty card.

Olympus E-PL3 mirrorless interchangeable lens camera commercial



Olympus E-PL3 mirrorless interchangeable lens camera hands on review